Meanwhile, she is loved by an English soldier. Things get tragic. Honestly, I didn't find it all that interesting, despite it having such dramatic elements. Despite all the politics, love triangles, and bloodshed, the part I remember best was the rather odd garment worn by the young lady to a ball... a flat-chested boxy bodice with large skirt poofing out from the hips. I thought it was very unflattering.
Passing the Scottish Country Shop one day, I went in to see if I could examine a Glengarry cap in person. Alas, I didn't have much time before they closed, but based on what I saw there, I have made some alterations to my pattern. For instance, it's clear from the tartan caps like this that the base of the pattern is not a straight line, but a curve. If you turned the cap so that grain and cross-grain are a plus sign (look at the plaid), the back of the hat is hanging down. Another thing which is clear when I contrast my finished hat with the picture at the top of the post is that I should not have sewn around the curve at the bottom of the hat... the authentic hat is not sewn around the curve, so the curved edges flair open around the head when worn, and fold neatly when not worn. Here's a little sketch of the revised shapes:
My favorite blogger and my inspiration in many things is Leimomi Oakes. For years, she has done regular historical sewing challenges designed to help people get out of sewing ruts, finish UFOs (UnFinished Objects!), and learn more about historical sewing. This is the first year I've participated.
Given my current scattered set of sewing goals, and how few of them are historical, I found January's challenge somewhat... challenging. "January: Firsts & Lasts – Create either the first item in a new ensemble, or one last piece to put the final fillip on an outfit." Thing is, I haven't been making ensembles lately. But as I thought on it, I realized that I have been very interested in nightwear.
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