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My local Goodwill has a whole corner shelf filled with these breakable little treasures, set high above the questing hands of juvenile browsers, looking out at the world that only ever looks back.
The names "bear paw" and "bear's paw" seem to be in free variation, both when I search online or look in Rosanne's quilting books, and in my own writing! For the sake of this blog, I'll try to stick to "bear paw", but the other option is equally correct. It's a nice representational block: it looks like a stylized pawprint. Compare some actual pawprints with the block: The quilt block bear is missing a toe, but otherwise it does look like a pawprint, and it is commonly used in rustic quilts for that backwoods feel. I like the block for my Dandelion Quilt because, if done in greens, it looks like the leaves of a plant whorling out from a central stem.
I will be doing the former method when I make the Bear Paw blocks in a bit, so I decide to try the latter method for the Delectable Mountains. It seems pretty easy, I think...
Narrator Voice: "She didn't know how wrong she was!"
NEW FABRIC TO PLAY WITH! My quilting mentor Rosanne is working through the book Cut the Scraps!, by Joan Ford. The book's premise is simple and smart: take your small scraps of quilting cotton, anything under a fat quarter, and cut them into a set of prescribed sizes: 2" squares, 3.5" squares, and 5" squares. Sort these squares by value rather than by color, so you end up with a pile of lights, a pile of darks, and a pile of everything in the middle. If you make a four-patch with four 2" squares, it makes a 3.5" square; if you make a nine-patch with nine 2" squares, it makes a 5" square. Then the book has instructions for twenty different quilts which can be made from squares of those sizes. I love the idea! Anyway, as Rosanne is cutting and sorting her scraps, she is making even smaller scraps, little strips that I can then use for string piecing. So my string piecing project for my brother is coming along, fed by an influx of fabric from Rosanne's stash.
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Karen Roy
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