When I am avoiding a task, I'll often procrastinate by doing other, easier tasks, to give myself a false sense of accomplishment.  It doesn't work, as I still know I'm avoiding the thing that needs to get done.  Recently, I sat down and wrote two lists of sewing projects, my "Hafta List" and my "Wanna List".  My Hafta List is neither long nor difficult, yet it's been keeping me from my Wanna List for too long, and in the meantime, I've been blogging, because writing a blog post is a pleasant distraction and an easy "accomplishment".  (This was, in fact, one of the reasons I resisted the idea of blogging for many years... I knew I could become addicted to doing it, and use it to avoid my life instead of living it.) 

I desire to break this pattern of procrastination, and to be able to blog again as a pleasant side project.  So I'm taking the month of October to power through my Hafta list, and in the meantime am not allowing myself to blog.  I'm also barring myself from other time-wasting activities that I use in the same way.  When I'm done my Hafta List, I can do my Wanna List, and that'll give me fresh things to blog about! 

So for the next little while, there will be no posts here.  You can expect a post to go live on October 22nd, but I wrote that ages ago and it's simply in the queue.  I'll be back to posting regularly sometime in November! 

Last Thursday, I opened up Catherine DeVore's 1920's portfolio and gave an overview of it and what collaborating history I could find.  Today, in an image-heavy post, I'm going to show you Catherine's artsy drawings of the clothes she wanted to make!  In future posts, I'll show some of her more interesting ephemera. 

I'm not kidding about the number of images in this... if you have a slow internet connection, click "read more" and then go make some tea or do a few chores while the post loads. 

Today we get an unexpected peek into the past--a large portfolio of the fashion sketches and pattern drafts of a woman named Catherine Emma DeVore, who graduated from the Wolfe School of Costume Designing in Los Angeles in 1923.  In addition, there are two envelopes full of ephemera: newspaper clippings, her doodles, ads, notes, photographs, envelopes....

Whence this bounty of delight?  From a man I know who, having acquired this trove, was kind enough let me borrow it to take pictures!  In turn, I did my best to return it as a tidy package, putting the pictures in order.  I got so many photos, and uncovered enough interesting info, to make several posts, so I'll do this in installments:

• Today I will introduce the portfolio and its maker.  Text-heavy post. 
• On Monday, I'll share the fashion illustrations.  Image-heavy post. 
• After that, I'll share the ephemera, as I have time to make the posts.  Those posts will be more about fashion and culture in the 1920's. 

When people go to a fabric store and ask for "raw silk", or tell you their wedding dress was made of "raw silk"... what do they mean?  What is raw silk? 

There is plenty of confusion about the topic, with common use of the term being very different from technical use in sericulture.  I'll start with the technical definition, because it's most precise, then move on to the more popular conceptions and give you better terms for them, so you can find what you want at fabric stores or online!