My local Goodwill has a whole corner shelf filled with these breakable little treasures, set high above the questing hands of juvenile browsers, looking out at the world that only ever looks back. 

The names "bear paw" and "bear's paw" seem to be in free variation, both when I search online or look in Rosanne's quilting books, and in my own writing!  For the sake of this blog, I'll try to stick to "bear paw", but the other option is equally correct.  It's a nice representational block: it looks like a stylized pawprint.  Compare some actual pawprints with the block:

The quilt block bear is missing a toe, but otherwise it does look like a pawprint, and it is commonly used in rustic quilts for that backwoods feel.  I like the block for my Dandelion Quilt because, if done in greens, it looks like the leaves of a plant whorling out from a central stem. 

I will be doing the former method when I make the Bear Paw blocks in a bit, so I decide to try the latter method for the Delectable Mountains.  It seems pretty easy, I think...

Narrator Voice: "She didn't know how wrong she was!"

My quilting mentor Rosanne is working through the book Cut the Scraps!, by Joan Ford.  The book's premise is simple and smart: take your small scraps of quilting cotton, anything under a fat quarter, and cut them into a set of prescribed sizes: 2" squares, 3.5" squares, and 5" squares.  Sort these squares by value rather than by color, so you end up with a pile of lights, a pile of darks, and a pile of everything in the middle.  If you make a four-patch with four 2" squares, it makes a 3.5" square; if you make a nine-patch with nine 2" squares, it makes a 5" square.  Then the book has instructions for twenty different quilts which can be made from squares of those sizes.  I love the idea!  Anyway, as Rosanne is cutting and sorting her scraps, she is making even smaller scraps, little strips that I can then use for string piecing.  So my string piecing project for my brother is coming along, fed by an influx of fabric from Rosanne's stash. 

In April, shortly after finishing the Organized Chaos quilt-top, I cast about for another pattern, but soon realized that I wouldn't be satisfied creatively unless I designed my own.  I decided on a dandelion motif. 

Well, it's official: I'm a quilter!  This spring I have been prolific in sewing, if not orderly in blogging about it.  For the record, here are the quilts I worked on in March/April of 2021, in the order that I worked on them.  I will come back and add links as I blog them:

1. The Meadow Quilt is a long-term project I've been working on, forgetting about, then revisiting for years.  I picked it up again in March 2021, when I read the book Finish by Jon Acuff and decided to finish the blooming thing!  Then I got distracted by other, fun and exciting projects, so I still haven't finished the blooming thing.  I am doing the quilting for this one on my home machine Boudica. 
2. The Organized Chaos quilt for my niece was a kit, which I made with help and instruction from my friend Rosanne.  In particular, I learned about cutting with the rotary cutter, squaring off, and strip piecing.  I sent it to a professional long-armer for quilting. 
3. Flush with accomplishment, I conceived and started drawing an original quilt idea, a Dandelion quilt.  But I didn't have confidence in my ability to translate picture into pattern, or to do the math and figure out yardage, so it remained an idea. 
4. A "Simple Illusions" quilt was next, based on this pattern by Pleasant Valley Creations. 
   
5. Then a rather dorky utility quilt, which I put together mostly out of boredom, and to experiment with setting blocks on point. 
   
6. Then I started the Dandelion quilt, using math and pattern skills I had developed while working on the Simple Illusions pattern. 
7. Concurrently with the Dandelion quilt, which is a thinky project, I also started the string piecing quilt I dubbed Pick-Up Sticks/Acid Trip.  It is not a thinky project, so it's a nice alternative when I don't have the energy for the Dandelion quilt.